Why the Beatles are still simply the best

by | Feb 9, 2014 | Comment, Detroit Free Press | 1 comment

This past week marked the 50th anniversary of the Beatles’ first appearance on “The Ed Sullivan Show.” There were TV specials and nostalgic articles. And if I were in my teens today, I might ask, “What’s the big deal?”

It’s a fair question. To you, young person, this must seem like your parents (more likely your grandparents) waxing on about something that is totally outdated, like rotary phones or customer service.

So let me explain why the Beatles actually are worth commemorating. Let’s start with this: Fifty years later, their music is still better than today’s.

Yep. I said it. I won’t take it back. If Katy Perry wants to argue, bring it on. If Lady Gaga takes exception, I’ll raise it. If Justin Bieber wants to…

Forget it. That’s not even fair.

The Beatles were better. Their song construction, their melody lines, their harmonies, their lyrics, their inventiveness, their breakthrough use of symphonic instruments – all done at a time when if you got it wrong, you had to record the whole thing again, you couldn’t just fix it with a computer key – combine to make the seven years the Beatles recorded together the richest production of pop music ever created by a group.


The Sullivan show was a landmark, but it was really about hysteria. You barely could hear the Beatles for all the screaming girls. And, let’s admit it, there has been hysteria since then. Heck, the Monkees had it at their concerts. So did the Osmonds, Jackson 5, David Cassidy, Menudo, Hanson, Boyz II Men and Bieber.

None of their music resonates the same way.

Never standing pat

You see, young person, what the Beatles did was take their influences – Chuck Berry, Muddy Waters, Elvis – and morph them all into their own early sound. Songs like “From Me to You” and “Can’t Buy Me Love” were bright, tight and catchy rock ‘n’ roll, but they were wholly different from other songs coming out. When mimic bands began popping up, the Beatles quickly moved into more significant and signature work, songs you really couldn’t imagine anyone else doing. “Here, There and Everywhere.” “Norwegian Wood.” “Drive My Car.”

Three years after the suits, ties and mop-top haircuts of the Sullivan show, they were exploring corners of pop music no one had ever tried, creating thematic albums like “Sgt. Pepper’s Lonely Hearts Club Band” and “Magical Mystery Tour” that featured French horns and trumpets and timpani drums. Later, they would bring in sitar music. Cellos. Violas. Listen to “Eleanor Rigby” – released in 1966! – and tell me, what other artist of their time could have done that? It is complex, hardly rock ‘n’ roll, yet it is catchy and memorable and people around the world still sing the line, “Ahhh, look at all the lonely people,” which is probably more poetic than anything Kanye West ever has written.

By ’68 and ’69, the Beatles were on warp drive. Their progression through psychedelic to experimental has been well-documented, yet they never stopped creating rock ‘n’ roll (“Back in the USSR”) or folk song satire (“Piggies”) or cabaret-like melodies (“When I’m Sixty-Four,” “Maxwell’s Silver Hammer”) or achingly beautiful ballads like “Blackbird” or “Something” or “Let It Be.”

Honestly, if a band just recorded those last three songs, couldn’t it retire?

Simply superb songwriting

The Beatles did all this in the seven years they recorded together. And while they never played as a foursome after 1970, people know their songs 44 years later, they can sing along with dozens – not one – and they are remade as often as someone gets up the courage.

I can tell you as a former musician who played in countless cover bands, you always shied away from doing Beatles tunes, because their sound was so unique, the audience inevitably found fault with your version. But the fact that so many big artists have recorded “Yesterday,” “Michelle” or “And I Love Her” – to name a few – shows the timelessness of John Lennon’s and Paul McCartney’s songwriting.

How many other artists will record a Lady Gaga, Kanye West or Katy Perry hit? They won’t, because those are often great records, not great songs. Technology today can make a record memorable. But it can’t make it musical. Play the single notes of “Yesterday” on a piano or a guitar, it’s still beautiful. Play the single notes from “Lose Yourself” by Eminem, it sounds like torture.

So we’re not crazy, young person, not foolishly nostalgic, nor lost in the past. We were just blessed to have a truly great musical band to soundtrack our younger years, one that is not embarrassing to listen to today. Is that worth a small fuss 50 years later? As the Beatles might answer, yeah, yeah, yeah.

1 Comment

  1. Hank Frazee

    Hi Mitch, I enjoy your writing.

    When you commemorate the 75th anniversary of the Beatles here’s some additional facts you can throw in to the mix because they’re actually even better than what you said though I agree with everything you said.

    The Beatles occupied the top five slots on billboard in April 1964. Nobody else has ever done that nor are they likely to again.
    The Beatles have sold more records than anybody else has. And that doesn’t even count what they did a solo artists.

    The Beatles had so many firsts that they are almost incalculable.

    The Beatles influenced everyone who came after them.

    Nearly every single the Beatles released was in the top 10 if not the top five if not number one.

    Their albums generally didn’t include the singles and many of those songs became big hits too.

    The Rolling Stones first number one hit was written by Lennon and McCartney. I want to be your man.

    Paul wrote many songs for bad finger which became top hits.

    This list, like the Beatles, could go on forever.

    Thanks so much!
    Hank Frazee
    Author of
    Before We Say “Goodnight” How to tell bedtime stories about your life and family.


    Referral Upgrade – a new way to find your very best clients


Submit a Comment

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

New book, The Little Liar, arrives November 14. Get the details »

Mitch Albom writes about running an orphanage in impoverished Port-au-Prince, Haiti, his kids, their hardships, laughs and challenges, and the life lessons he’s learned there every day.

Subscribe for bonus content and giveaways!